OEP 101: EDUCATIONAL PSYCHOLOGY - DEVELOPMENT OF A CHILD

OEP 101: EDUCATIONAL PSYCHOLOGY

DEVELOPMENT OF A CHILD
Main concepts
Developmental psychology is the scientific study of how and why human beings change over the course of their life. Originally concerned with infants and children, the field has expanded to include adolescence, adult development, aging, and the entire lifespan. Developmental psychologists aim to explain how thinking, feeling and behavior change throughout life. This field examines change across three major dimensions: physical development, cognitive development, and socio-emotional development.
There is a clear distinction between ‘ growth’ and
‘development’ as used in psychology. Both concepts are based on the fact that during life span individuals are progressing from one stage to a higher stage.
Growth: is used when the changes are quantitatively, ie. An increase or decrease in numbers. A good example is height and weight of a child. In normal circumstances children’s height and weight increases as they progress in years. We expect two years old to be shorter and lighter at this age relative to when they will be in primary school.
Development: is used for qualitative changes.
Development is progressive acquisition of various skills (abilities) such as head support, speaking, learning, expressing the feelings and relating with other people. These are not directly observable but infer some changes within the individual have taken place. A good example is language development. At birth children cannot talk however around two years they begin to speak. Language spoken at the age of two is qualitatively inferior relative to the language used at four or at ten. The changes manifested in language don’t mean that the brain has changed but rather some reorganization has taken place that account for the differences between the stages.
Development a child (students) can be looked at three main areas which are: physical, cognitive
and psychosocial. These areas are interrelated and develop simultaneously. There is quite variation in rate of development as in some group of students of the same age and in the same age in the class and all still growing you find some of them are taller while others are shorter, some are heavy and others are not so heavy, some have language development while others have not. There are also some developmental variations within the individual himself/herself. Some may grow fast in terms of weight but more slowly in height. The implication is that students of the same age are similar in some aspects and different in others.
The periods of child development are classified by psychologists into four periods. Notice that, there is variation on the onset and end of the periods. The periods are:
Infancy: starts from birth to 18 to 24 months. It is characterized by :
- Total dependence on the caregivers at the beginning
- Development of sensorimotor coordination
- Walking
- Language
- Thinking and
- Learning
Early childhood: starts at the end of infancy and extends to 2.5 to 6 years. Early childhood (usually defined as birth to year 8) is a time of tremendous physical, cognitive, socio-emotional, and language development. Sometime this is called preschool period. The child is more self-sufficient and has developed some skills related to improved sensorimotor coordination.
Middle to late childhood: extends from 6 to 11 years. Most of children in this stage are in primary schools (elementary schools). They have developed self-control and acquire primary skills of learning such as reading, writing and math.
Adolescence: begins around 11 years and extends to between 18. This is a transitional period from childhood to adulthood that is characterized by rapid body changes that includes the development of sexual organs functions. Also individuals in this stage seek self-independence. Most complete primary school at this stage, and most of secondary school students are in this period.
ROLE OF HEREDITY AND ENVIRONMENT ON THE DEVELOPMENT OF STUDENTS
In development there is a constant interaction between
nature and environment (nurture) . The nature component involves the biological processes that start at conception i.e. genetic inheritance formed by the combination of genes of the sperm and those in the ova. The conception process has a major role in determining the rate of growth of the body in terms of weight and height; and the development of brain, motor skills and body changes caused by hormones. Also, there are some human potential that are genetically programmed, including the learning processes, language development and motor coordination.
The environment (nurture) includes physical and social surroundings. Physical environment is essential for the survival of the individual, his/her development in general and learning process. Some studies have indicated that children who had severe
kwashiorkor experienced learning difficulties later in schools (Galler, et al, 1987), and those exposed to lead later on in life experience physiological problems (Patrick, 2006). In physically stimulating environments children were found to be more developed language wise than those in less stimulating environment (UNESCO, 1987). Social environment in form of child’s relationship with other people has great influence on the socio-emotional processes of the child i.e. emotional and personality changes of the child.
As a teacher, you are part of the environment and your aim is to enhance learning and the full development of the students’ abilities and you need to avoid being source of deterring learning potential of the students.
COGNITIVE DEVELOPMENT DURING CHILDHOOD
Brain is the major organ of cognitive processes. The brain is divided into different parts that are involved in different aspects of cognition and learning.
The brain has two halves; called
cerebral hemisphere, which are connected by corpus callosum (The corpus callosum is a thick band of nerve fibers that divides the cerebral cortex lobes into left and right hemispheres. It connects the left and right sides of the brain allowing for communication between both hemispheres).
The two spheres appear to be identical but there are some differences in their functions.
Cerebral lateralization is the specialization of the functions of each sphere of the brain. The right hemisphere controls the left side of the body while the left hemisphere controls the right side of the body. So, if you are right handed you are left lateralized, if left handed you are right lateralized. For most people speech is localized in the left hemisphere. Nonverbal processes such as spatial perception, visual activities and emotions are predominantly localized in the right hemisphere.
However, studies show that the brain is more complicated than that since both atmospheres to some degree are involved in all activities. Complex functions such as logic and creativity involve both spheres of the brain.
The brain has four lobes. Frontal lobe has functions for motor activities and thinking; temporal lobe has functions for hearing; parietal lobe has functions for body sensations; and occipital lobe has functions for vision. The brain lobes are as seen in the diagram below.
In describing cognitive development Jean Piaget (1896-1980) a Swiss psychologist while working with the results of IQ tests of children he noticed that young children’s answers are qualitatively different from those given by older children. He believed that children are actively constructing their world as they respond to what they see, touch or test. For him the way human respond to the environment is not learned but an inherit method of intellectual functioning i.e. a function that is there since birth.
Piaget’s theory of cognitive development has four major stages with sub-stages in each stage. Here come some important concepts before discussing the Piaget’s stages.
Schema is a concept or an organized pattern of thoughts or behavior that one organized unit. Riding a bicycle is a scheme (behavior); picture of a dog or a dog is a scheme; and teaching is a
scheme (a complex one). Schemes help us to organize and make sense of our world.
Adaptation is a psychological mechanism used by children to use and adapt schemas in a new experience. This mechanism has two processes, namely assimilation
and accommodation.
Assimilation occurs when a child incorporates new knowledge into existing knowledge i.e. taking in new objects, events and concepts into the existing schemas.
Accommodation occurs when we are changed by what enters into our mental structures. So, through assimilation we transform the environment to fit into preexisting cognitive structures while accommodation changes our cognitive structures in order to accept something new from the environment.
Equilibration is a concept developed by Piaget that describes the cognitive balancing of new information with old knowledge.
...... Equilibration involves the assimilation of information to fit with an individual's own existing mental schemas and the accommodation of information by adapting it their way of thinking.
Organization is when bring together isolated behaviors or ideas into a single more complex behavior or concept. This leads to have smooth functioning cognitive system.
The above processes are fundamental on how children understand their world and adapt it in their mental structures.
All children follow the same sequence but at different rate.
Piaget’s stages
1. The sensorimotor stage
This stage extends from birth to 2 years. The term sensorimotor imply that during this stage the child explores his world by using sensory experiences such as seeing, hearing and touching. It is by coordinating these experiences that the child develops the first schemas and it is the basis of the beginning of cognitive development.
At this stage child’s responses are through reflex actions i.e. unlearned, innate reflexes such as sucking anything he/she touches or grasping any object he touches to his palm of hand.
This stage is then sub-divided into three parts known as primary circular reaction dealing with deliberately repeated actions involve only body e.g. sucking (involves fingers and mouth). The second is secondary circular reaction in which children develops behaviors like holding an object and coordinate several actions to achieve something. The third one is called tertiary circular reaction between 12 and 18 months whereby a child starts experiment with things e.g. deliberately dropping things to see what will happen.
During this stage a child forms the first schemas through
assimilation and accommodation in adapting to his/her world. It is the beginning of the organization process. Development of language (associating sounds with objects or events) is another important aspect in this stage.
Also, they develop sense of object permanence i.e. objects continue to exist even when out of sight. Before then children do not look for objects that are removed or obstructed out of visual field, cannot be seen, heard or touched. The sense of object permanence is very significant since the child’s world becomes organized and predictable. Furthermore, in this stage the child becomes aware that he/she can be the cause of an action. Also, due to development of mobility the child is able to explore objects that are far and consequently new mental abilities.
At this stage children learn to walk, meaning they gain the ability to access the environment around them. Before walking they had to depend on others to bring items to them, now they can move around to the object and explore their surroundings. So in sensorimotor stage children learn through use of senses, actively exploring their environment.
Touch the palm ( the central. region of the front of the hand) ofa child less than 12 months old and observe his/her reactions.
2. Preoperational stage
This stage extends from 2 to 7 years. According to Piaget
operations are actions that we perform mentally including knowing an object, thinking and manipulating ideas. A good example is when we compare things mentally to discover their similarities and differences. So, in preoperational stage the child is not yet able to manipulate things mentally through s/he has started to use language. In this stage a child’s mental functioning is mainly characterized with the use of symbols.
The child gains the mental ability to represent an object that is absent, a demonstration of thinking. The use of language expands rapidly; they engage in pretending plays whereby an object (let’s say a piece of wood) may represent a house, a car or person. In the play they assume that the innate objects (not endowed with life or spirit )are alive and conscious, referred to as animism (is the belief that everything has a soul or spirit).
Another characteristic of this stage is egocentrism (is the inability to differentiate between self and other. ...). this is the inability to know and recognize that other people see objects from their point of view and instead they think that the other person is seeing the object as s/he is seeing it from his/her position.
Because of this characteristic a child at this stage may need company of other children but normally each one engage in his/her own play and monologue.
Do not waste your time forcing a child in this age to see things from your point of view.
Centration refers to child’s tendency of concentrating and focusing on only one aspect of an object and disregarding the other aspects although they are important features of the object.
Children in preoperational stage also lack conservation i.e. the ability to realize that properties of an object remain the same although its shape might change. For adults a volume of liquid remains the same even when put into a container of different shape or size. Due to lack of conservation a child thinks that water poured into a narrow container is more than when it was in broad container. This is caused by irreversibility i.e. the child being unable to reverse mentally the procedures or his/her thinking.
Therefore, in this stage of preoperational children learn by experiencing real objects in their surroundings. They use symbols and images in constructing knowledge about their world. Children are egocentric and cannot understand other people’s point of view.
3. Concrete Operational Stage
This stage extends from 7 to 11 years. In this stage children overcome the limitations of the preoperational stage by using reasoning that involves concrete operations i.e. they can deal with real concrete situations but are unable to deal with abstract situations.
The child now has establishes conservation since s/he can reverse mental actions and take into account several aspects of the object or event instead of focusing only on one aspect.
Egocentric thinking diminishes too. A child in this stage makes addition by counting real things, mostly fingers. The problem comes when the sum is more than ten and they are wearing shoes! This is why children at this stage seem to carry bottle tops in a string to school for making calculations.
This stage is characterized by a number of behaviors like:
Classification i.e. to sort out things from a big group and put them in sets or categories based on their similarities. Also, they have the ability to know an object can be classified into different groups, eg. one woman at the same time can be a daughter, mother, sister, wife and grandmother.
Seriation this is an ability lacking in the preoperational stage where children cannot compare more than two objects at the same time. Due to seriation they can reason about relationships and come up with logical conclusions ( transitivity) . They can conclude that object “C” is taller than object “A” upon realization that “B” is taller than “A” and “C” is taller than “B”.
Spend some time in lower classrooms in a primary school i.e. standard one and two. Make observations of the characteristics of children in preoperational stage.
4. Formal Operational stage
This is the fourth and last stage in Piaget’s cognitive theory. It starts at about 11 and 12 years (during adolescence). In the previous stage a child is only able to conduct concrete operations by using real objects. However, in this stage the adolescent demonstrates the ability to think in abstract, idealistic and logical ways. They solve problems presented to them verbally and they can express themselves without relying on concrete objects.
One of their characteristics is that they can differentiate the real from the possible and can think about the future. They have developed hypothetical-deductive reasoning whereby they think abstractly in systematic manner that involves developing hypothesis and means of testing them.
In their plans they gather all possible information and study possible combinations of solving the problems.
IMPLICATIONS OF THE THEORY TO TEACHERS
Teachers have knowledge on developmental psychology especially on cognitive development.
Teachers get to understand that children are mentally qualitatively different from adults and among themselves depending on their cognitive stage of development (individual variations)
Enable teachers to recognize and understand that children’s answers are not ‘wrong’ or ‘weird’ ( weird -a miujiza, sio kawaida; -a kuogofya, -a ajabu, mtu mwenye tabia ya pekee. ) but statements indicating the state of their mental functions.
Guide teachers to observe the mental functions of their students basing on important key factors.
Help the curriculum developers to develop the curriculum that suit the learners with their environment and level of cognitive development.
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OEP 101: EDUCATIONAL PSYCHOLOGY -RESEARCH IN EDUCATIONAL PSYCHOLOGY

OEP 101: EDUCATIONAL PSYCHOLOGY

RESEARCH IN EDUCATIONAL PSYCHOLOGY
Educational research refers to the systematic collection and analysis of data related to the field of education. Research may involve a variety of methods. Research may involve various aspects of education including student learning, teaching methods, teacher training, and classroom dynamics.
What is a scientific research?
Scientific research is based not on the phenomenon being investigated but by the way the investigation is carried out. Scientific approach is objective, systematic and verifiable. It is objective since it is based on the observable and/or on measurable aspects. Educational psychologists do not accept resolutions that might be biased, based on personal beliefs, opinions, speculation or experience alone. Verifiability is founded on the premise that someone else can crosscheck the findings by repeating the same research. Thus, scientific approach is based on empirical evidence.
Scientific approach is systematic since it has laid down procedures of carrying out an investigation.
The main stages of conducting a research in Educational Psychology are:
Conceptualizing the problem
The first thing is to identify a problem that is researchable i.e
research problem. A problem is any issue that can be answered by doing a research. Some of the things we may like to study cannot be explained through scientific approach. Scientific methods cannot be applied in finding the existence of God, or God’s relationship with student’s academic performance. Research problem can be a result of personal experiences in one’s professional field (eg. Teaching/learning experiences in school settings) or developed from the findings of other researches (normally research findings raise new questions that need to be answered through scientific methods). A research problem may be finding why most students from area ‘A’ are dropping out of school and performance of most of those remaining in school is low.
When formulating the research problem one has to draw knowledge from theories and other materials related to phenomenon under investigation. This knowledge gained shows what is going on the area of research and also is used to formulate the hypothesis. Hypothesis is a statement indicating the relationship of the variables of the research and indicating the expected results of the study. Hypothesis of the above research problem may be, “ Students of parents with secondary education in area “A” are more likely to complete schools than students whose parents have only primary school education”. Variables are the elements in the hypothesis. In the above hypothesis the variables are “parents with secondary education”, “parents with primary school education” and “completing school”. So, the main activity in this stage is to identify and clarify the research problem.
Data collection
This stage involves determining instruments and mechanisms of obtaining information needed in solving the research problem. In this step, information gathered is used to test the hypothesis. The hypothesis is not determined as correct or incorrect, but if it is rejected or accepted on the data obtained. There are several ways of collecting data that are to be discussed in the following section.
Conclusion
The raw data collected is processed through statistical procedures so that results can be analyzed and interpretations made. Statistical analysis determines if the results happened by chance or are the results of conditions created or that observed by the researcher. The results are used to make conclusions that indicate the application of findings in respective situations.
MAJOR RESEARCH METHODS
There are two major types of research methodology in Educational Psychology, namely:
quantitative methods and qualitative methods. In quantitative approaches measurements and test scores are used. Variables in the research are quantified and statistical methods are applied for the interpretation of the data.
In educational settings qualitative approaches are used to study theoretical variables that can only be inferred and are difficult to quantify. This method can be used to describe events, processes, motivation, attitudes and personal experiences. For example, a participant might be directed to narrate his feelings under specific conditions and then his/her explanation is recorded and analyzed.
Description of Data Collection Methods in Research
Descriptive Study
This type of qualitative study determines the current status of the behavior in the research problem. The main aim is to understand and describe the way things are. So, the researcher is collecting data to test hypothesis. Descriptive study is used to get the attitudes, opinions and the occurrences of behavior among students.
Descriptive data can be collected through observation. Natural Observation is a systematic observation and recording of data (thus scientific) in a natural setting while the researcher is detached from the activities of the group under study. This can either be observing students and teachers in the classroom, cafeteria or in the playing field. In participant observation the researcher (observer) is actively engaged in the activities of the group of the study. So, the observer is both part of the group and also involved in recording the data.
Another descriptive method is
survey research , it involves selecting a number of people (sample) to collect data that represents the views, opinions, attitudes and/or beliefs of a population. Data can be collected by asking questions through questionnaires and/or conducting interviews. Due to technological advancements these instruments can be administered either by face to face or through e-mail and/or phones.
Single Case Study
This study is based on investigating one single individual or specific event. It is used when an opportunity avails itself for a study that could not otherwise be done due to ethical or practical reasons. We cannot inject students with addictive drugs to study their levels of aggressions against others. However we can observe the levels of aggression of students who are discovered to be drug addicts. The findings of case study can help us to come up with some understanding of a phenomenon. However, since the results cannot be analyzed statistically, their interpretations cannot be generalized to other people.
Correlational Study
This study determines the relationship between two or more variables that are associated. It indicates whether there is relationship or not. Statistical approach is used to determine the strength of the relationship and if it is either positive or negative. The score of relationship lies between the coefficient of -1 (negative) and +1 (positive). A score close to 0 means there is no relationship between the variables. There is no relationship between the height of student and his/her test score. A score close to -1 implies a negative relationship ie if one variable increases the other one decreases and vice versa. A good example is the relationship between test score and number of wrong answers. If the number of wrong answers increases the test score decrease, when the number of wrong answers decreases the test score increase. A score close to +1 means a positive relationship ie if one variable increases the other variable also increases. When the number of correct answers increase also the test score increase.
The strength of the relationship can be used to make predictions. However, finding that there is a relationship between the variable does not mean there is cause-effect relationship ie one cannot say either of the variables is the cause of the relationship. The number of correct or incorrect test answers is not the cause of academic performance of a student but rather due to other factors such as mental ability, study skills or level of difficulty of the test.
Experimental Research
Educational psychologists use experimental research to determine cause-effect relationship between variables ie to find out if a certain variable is the cause of behavior or condition. Experimental research is conducted in a laboratory or controlled environment whereby conditions or factors thought to cause/influence the respective behavior are carefully manipulated. The factor that is manipulated is called the independent variable while the behavior being observed or measured is called the dependent variable. So independent variable is the factor considered to be influential, cause or has effect on the dependent variable. If the dependent variable changes due to manipulation of the independent variable then we say there might be cause-effect relationship between the two variables ie
independent variable has an influence on the dependent variable.
In many experimental researches two groups of individuals are used ie experimental group and
control group . At the beginning of the research both groups are equal in all aspects. Random sampling is used to form these groups. This technique gives each individual of the study an equal chance to be selected in either group and eliminates the biases that the researcher may have. Experimental group with the one manipulated while the control group is treated the same way as the experimental group is the independent variable while the behavioral outcomes of the two groups are the dependent variables.
Cross-sectional Research and Longitudinal Research
These are studies that are time span researches ie research based on changes related to period of time. We might be interested to know the characteristics of students at different stages of development.
There are two main approaches used in time span researches. In
cross-sectional research groups of children based on their age are selected and then the research focuses on the problem area of interest. The aim is to compare the characteristics of the respective age groups.
In longitudinal research the same group of individuals is investigated over a period of time that is normally over a year, some last many years eg. from birth to death. One observes the changes that take place among the group members during the duration of the study.
Action Research
This is a research carried by a teacher or several teachers, rather than psychologist or research experts, with the aim of solving a specific problem in the classroom or school. The findings are used to remedy and improve teaching/learning processes.
In Action research a teacher uses research procedures to gain skills that help them to deal with problems or situation that hinder effectively learning in their classrooms. So, the teacher has to know how to formulate questions that accurately reflects the problem/situation, to define the terms in the question, collect data and use analysis processes that yield findings that are valid and reliable. From the findings the teacher makes strategies for instructional improvement or
for addressing the adverse situation. The implications are that as an effective teacher you are not only going to teach but also be a researcher in the classroom all the time. In action research you may follow the same procedures used in the other types of researches to avoid personal biases but have reliable results that lead to effective line of action.
As an example, a teacher may observe that a certain student in the class is always causing commotion and that she/he is supported by some other students despite being warned several times.
Firstly, the teacher formulates a
question “What makes Bahati to make commotion?” The teacher needs to define commotion. Next, the teacher engages in data collection. The teacher records when and how many times she/he makes commotion and through interview deduce why s/he makes commotions. Also s/he may record when and how many times the other students support him/her. The next follows the
data analysis . The findings from the analysis may reveal that Bahari and his/her colleges are not motivated to learn that teacher’s subject. Based on the findings the teacher makes an
action plan on how to make students motivated to learn his/her subject.
Qn: For each of the methods of collecting data mentioned above identify its advantages and limitation.s.
Ethics in Research
Ethics refers to the correct rules of conduct necessary when carrying out research. We have a moral responsibility to protect research participants from harm.
· Protection of Participants
Researchers must ensure that those taking part in research will not be caused distress. They must be protected from physical and mental harm. This means you must not embarrass, frighten, offend or harm participants.Normally, the risk of harm must be no greater than in ordinary life, i.e. participants should not be exposed to risks greater than or additional to those encountered in their normal lifestyles.
· Gain consent from the participants and permission from responsible authorities before embarking on collecting data.
Participants, and the data gained from them must be kept anonymous unless they give their full consent. No names must be used in a research report. What do we do if we find out something which should be disclosed (e.g. criminal act)? Researchers have no legal obligation to disclose criminal acts and have to determine which is the most important consideration: their duty to the participant vs. duty to the wider community. Ultimately, decisions to disclose information will have to be set in the context of the aims of the research.
· Informed Consent
Whenever possible investigators should obtain the consent of participants. In practice this means it is not sufficient to simply get potential participants to say “Yes”. They also need to know what it is that they are agreeing to. In other words the psychologist should, so far as is practicable explain what is involved in advance and obtain the informed consent of participants.
· Deception
This is where participants are misled or wrongly informed about the aims of the research. Types of deception include (i) deliberate misleading, e.g. using confederates, staged manipulations in field settings, deceptive instructions; (ii) deception by omission, e.g., failure to disclose full information about the study, or creating ambiguity.
· Withdrawal from an Investigation
Participants should be able to leave a study at any time if they feel uncomfortable. They should also be allowed to withdraw their data. They should be told at the start of the study that they have the right to withdraw. They should not have pressure placed upon them to continue if they do not want to continue.
Qn: Elaborate the summary with your own words and then go through the lecture to verify your accurateness.

OEP 101: EDUCATIONAL PSYCHOLOGY EDUCATIONAL PSYCHOLOGY AND TEACHING (DEFINITION AND HISTORY)

OEP 101: EDUCATIONAL PSYCHOLOGY

EDUCATIONAL PSYCHOLOGY AND TEACHING (DEFINITION AND HISTORY)
What is Educational Psychology?
Educational psychology is the branch of psychology that focuses on development of effective teaching techniques and assessing learners aptitudes and progress in learning process. It uses psychological knowledge to understand learning and teaching in education.
It incorporates and applies knowledge gained from other areas of psychology eg theories of human development are used by educational psychologists to know how students develop and learn; and to understand the characteristics of learners at various stages; cognitive psychology when referring to reasoning and problem solving; school psychology in determining students’ abilities and the best ways and conditions necessary for individuals to realize their full potential. Knowledge from disciplines outside psychology contributes to educational psychology eg findings I neurosciences help us to understand how brain works in relation to learning. Also research findings in educational psychology contribute to wide field of psychology and education in general eg in creating educational policies and developing curriculum based on characteristics of the learners.
Psychology plays a great role in the aspects of instructional design and application, curriculum development, special education, classroom management, use of technology in teaching and assessment of learners and their performance.
Go through the school curriculum and make a list of items that are directly related to educational psychology.

OBJECTIVES (FUNCTIONS) OF EDUCTAIONAL PSYCHOLOGY
To describe and understand the nature and principles of learning. What is involved in the learning process? How do learners learn at different stages of development? Which are the factors that enhance/hinder learning?
Educational psychology aims at answering those kinds of questions by research.
It aims at designing strategies for guiding learners in learning. Students possess learning abilities and skills. Educational psychology guides students to use their existing skills more effectively and/or develop new skills
It provides teachers with methods and specific skills of teaching. These methods and skills are based on the outcomes of research findings and facilitate learning. To meet the state educational goals, learners need, school objectives as well as the societal needs.
It provides the teacher with the skills to identify individual learner’s process and traits. An effective teacher creates a learning environment in the classroom that caters for the individual variations so that each learner is motivated to realize his/her full potentials. The environment has great effect on learning process. Teachers can improvise the environment to enhance learning. Educational psychology trains teachers to identify and control these external factors eg teaching materials available, research findings and new teaching skills and technological advances.
To develop in those who teach, a sympathetic attitude towards children.
To aid in providing the teacher with a better perspective for judging both the results of his own teaching and the educational practice of others. Educational Psychology aids in providing a better background for understanding the total job of teaching in all its intricacies.
To assist the teacher in giving the necessary facts and techniques for analysing child’s behaviour to facilitate adjustment and growth of personality.

Who is an effective teacher?
If you meet the requirements of educational psychology, develop the teaching skills and apply them in teaching settings you will be motivated to be an effective teacher who tackles teaching challenges with confidence and great satisfaction.
So an effective teacher is the one who master the following concepts and perceptions:

Subject matter:
This refers to having a conceptual understanding of the subject you teach. You must work hard not only to acquire the knowledge of your subject, but also to be able to organize this knowledge and be in position to include knowledge from related disciplines. Just knowing the fact is not enough. Too little knowledge leads to teacher’s lack of confidence in the classroom. Remember that you don’t have to teach all what you know since you may cause harm in the class. Materials presented in the class should relate to the student’s abilities and the syllabus.

Knowledge of students:
You must know your students. It’s very difficult to deal with individuals whom you don’t know. As you spend time with them learn about them as a group, and as each student as a unique being. They bring different background to the class. Know about their physical, cognitive and psychosocial development. You will come into contact with exceptional students needing special attention and approach in teaching.

Learning process:
Learning process all about knows your students including having knowledge on how they learn ie skills and strategies students use to get new knowledge. Understanding this component is an asset in designing your teaching strategies as they have to be compatible with learning process of the respective students.

Instructional strategies:
Most effective instructional strategies lead students to develop skills of being reflective, thinking critically and in exploring their environment. Instructional strategies therefore should make each student learn efficiently.

Motivational skills:
Learning is a natural phenomenon but in school it can be discouraged or undermined by several elements (both within and/or external to the students). To be an effective teacher you must deploy conditions that will lead to students developing self-motivation ie eager to learn and staying on the task for personal satisfaction rather than pleasing others.
There is no point of having policy of compulsory education or attending school if a student is not interested in learning.

Classroom management:
A classroom environment is composed of many individuals and factors that have a bearing on the teaching/learning process. One of the most important responsibilities of a teacher is to create and maintain an environment an environment in the classroom that is conducive to learn ie keeping students engaged on the intended task. You will need to have strategies of organizing your students for effective learning and have in place a mechanism of preventing problems.

Assessment strategies:
A teacher needs to know if his/her students are successful or not in their learning. This can be realized if the teacher is able to develop or obtain appropriate instruments, make accurate assessments and interpretations of the measurements. Assessment enables one to determine the performance and needs of the students leading to making correct decisions and actions that will improve the performance of each student.

Technological skills:
This is an era of information technology and for one to function effectively she/he needs to be competent in technological skills. These skills will assist you to access knowledge and integrate technology in your teaching strategies. Also you will be in a position to make students use technology in their learning.

HISTORY OF EDUCATIONAL PSYCHOLOGY
In the past we look specifically at the history of educational psychology. Educational psychology as an independent field started just before the beginning of 20th C in America. Here we are going to have an overview of important contributors in the development of this field. Some of the prominent contributors are as follows:

William James (1842-1910)
He published a book and gave lectures on the application of psychology in educating children. For research, he emphasized the use of direct observation in the real classroom learning/teaching conditions rather than laboratories. He is among the pioneers of learner centered method of teaching in education.

John Dewey (1859-1952)
He was a major figure on practical application of psychology. He shaped the field of psychology by establishing the first educational psychology laboratory in USA. His major contribution was the view that a child is an active learner rather than the held belief that children are passive learners. Also he emphasized that the role of the teacher should be to train students on how to think and adapt to the conditions outside the classroom. He was influential in making all children get competent education regardless of their gender, socio-economic background or ethnicity.

Edward L. Thorndike (1874-1949)
He emphasized the use of scientific approach in educational psychology. He initiated the use of assessment and measurements in learning. B.F. Skinner built on the ideas of
Thorndike. However, he insisted that the subject matter of psychology should not include mental processes but should only focus on the observable behaviors. This is termed as
behavioral perspective . Skinner’s approach determined the best conditions for learning to take place. The teacher uses a rewarding system that improves student behavior or performance. He developed the concept of programmed learning in which a learner is reinforced in each step that leads to the intended goal.

Benjamin Bloom (1956)
Benjamin Bloom created the taxonomy of cognitive skills that indicated the goal s of educators on learners. The cognitive skills he identified are and in the following order starting from the lowest level to the highest:

remembering, comprehension, application, analysis, synthesis and evaluation. Is from the Bloom’s taxonomy where educationists come up with curriculum documents like syllabuses, schemes of work, lesson plans and table of specifications in the implementation of curriculum.
In the 1980s the educational psychologists focused on the cognitive aspects of human learning advocated by Dewey and
James but ignored by Skinner and fellow behaviorists. They researched on and applied the concepts of cognitive psychology including memory, thinking, reasoning and perception on the premises that they are significant on how information is received and processed.

Currently educational psychology includes out of school aspects that have influence on learners eg the role of culture in education. Also it is focusing on theories of self-regulating learning and metacognition ie cognition about cognition or knowing about knowing.

CONTRIBUTIONS OF OTHER FIELDS AND THEORIES
It is obvious that one cannot be fit for teaching and learning by only accruing knowledge from educational psychology only and ignoring other field’s knowledge. There are other fields which are very important; a good example is the use of research and ICT in teaching and learning process where by teachers and students enjoy a lot from the existence of findings from different sources as well as the computers with internet.
Elaborate the summary with your own words and then go through the lecture to verify your accurateness.

SHAIRI

Shairi ni sehemu ya fasihi . Mashairi ni
tungo zenye kutumia mapigo ya silabi kwa utaratibu maalumu wa kimuziki kwa kutumia lugha ya mkato, lugha ya picha na tamathali za semi .
Mashairi huweza kuandikwa au kutungwa kulingana na jinsi yanavyoonekana. hii ina maana kuwa, mashairi huweza kutofautishwa kwa
idadi ya mishororo, jinsi maneno yalivyopangwa, urari wa vina na kadhalika.
Kuna mashairi yanayofuata taratibu za
kimapokeo , yaani yanazingatia taratibu za urari na vina, mizani , idadi sawa ya mistari, vituo na beti.

Mashairi huwa na mizani 14 au 16 katika kila mstari, yaani mizani 7 au 8 kwa kila kipande cha mstari.
Pia kuna mashairi yasiyofuata utaratibu huo wa kimapokeo na huitwa mashairi ya kimamboleo. Mashairi haya mara nyingi huwa ni nyimbo.
Mfano
Tulopeleka bungeni, wamegeuka nyang'au,
Mafisadi kama nini, baladhuli mabahau,
Wanavunja mpini, konde wamelisahau,
Zamani na siku hizi, mambo sivyo yavyokuwa.
Mwalimu mwana elimu, asiyekujua ni nani?
Kwake ilete elimu, liyopewa na Maanani,
Watu wote wafahamu, hapingiki hasilani,
Adharauye mwalimu, kapungua akilini.

Aina za mashairi
Kuna aina kuu mbili za mashairi, nazo ni kama zifuatavyo:

(i) Mashairi ya kimapokeo
Vilevile huitwa mashairi funge - ni mashairi yanayozingatia kanuni za muwala/urari (ulinganifu) wa mizani, vina, idadi ya mistari katika kila ubeti na kituo katika shairi.

(ii) Mashairi ya kimamboleo
Haya ni mashairi yasiyozingatia kanuni za kimapokeo, yaani, hayazingatii kanuni za muwala/urari (ulinganifu) wa mizani, vina, idadi ya mistari katika kila ubeti na kituo katika shairi. Mashairi haya pia huitwa mashairi huru / mashairi ghuni / mashairi ya kisasa / masivina /
mapingiti.

Mizani
Mizani ni ulinganifu wa idadi ya silabi katika kila kipande au mistari ya ubeti wa shairi. Mara nyingi mashairi ya kimapokeo huwa na mizani nane (8) kwa kila kipande na mizani kumi na sita (16) kwa kila mstari (mshororo).

Vina
Vina ni silabi zenye sauti ya namna moja zinazotokea katikati au mwishoni mwa kila mshororo wa kila ubeti wa shairi. Hivyo basi kuna vina vya kati na
vina vya mwisho .

Ubeti
Ni fungu la mistari lenye maana kamili. Ubeti unaweza kulinganishwa na aya katika maandiko ya kinathari. Mara nyingi ubeti huishia katika kituo. Ubeti mmoja unaweza kuwa na:

Mstari mmoja (tamonitha )
Mistari miwili (tathiniya/ tathinia/uwili): shairi hili huwa na mishororo miwili katika kila ubeti. vina vyake vyaweza kuwa na mtiririko.

Mistari mitatu (tathilitha ): shairi hili huwa na mishororo mitatu katika kila ubeti. vina vyake huenda vikawa na urari.

Mistari mine (tarbia ): shairi la aina hii huwa na mishororo minne katika kila ubeti. mara nyingi shairi hili hugawanywa katika sehemu mbili, ukwapi na utao. mshororo wa kwanza wa shairi hili huitwa kipokeo, wa pili huitwa mloto, wa nne huitwa kibwagizo. kibwagizo huwa kinarudiwarudiwa katika kila ubeti.

Mistari mitano (takhmisa ): hili ni shairi lenye mishororo mitano katika kila ubeti

Mistari zaidi ya mitano (sabilia ), kwa mfano: tasdisa huwa na mishororo sita katika kila ubeti, tathmina huwa na mishororo minane katika kila ubeti, ukumi huna na mishororo kumi katika kila ubeti.

Aina za mashairi jinsi yanavyojitokeza:

1. Kikwamba ni aina ya shairi lililo na kibwagizo ambacho ni kifupi ukilinganisha na ile mishororo mingine. hili huweza kuuchukuwa mfumo wa mashairi yale mengine.
2. Ngonjera: shairi hili huhusisha waimbaji zaidi ya mmoja ambao uimbaji wao huwa katika mfumo wa majibizano.
Kituo
Ni mstari (mshororo) wa mwisho katika kila ubeti wa shairi ambao huonesha msisitizo wa ubeti mzima au shairi zima. Wakati mwingine kituo huitwa
kibwagizo/ korasi/ mkarara/ kiitikio.

UHAKIKI WA KAZI ZA FASIHI

Imetayarishwa na Mwl.Safari Albert.J,
Simu:+255 715 803 005
barua pepe:salbertode@yahoo.com

Uhakiki ni kazi au kitendo cha kutafakari, kuchambua na kufafanua kazi ya fasihi ili kuweka bayana maadili na ujumbe uliomo katika kazi ya fasihi. Hivyo mhakiki sharti asome kazi ya fasihi andishi au kusikiliza masimulizi kwa makini ili aweze kuyahakiki

Mhakiki ni mtu anayejishughulisha na kazi za kisanaa hususan za kifasihi za wasanii asilia. Mhakiki ni mchambuzi na mfafanuzi wa kazi za kifasihi. Ni jicho la jamii kwani ndiye agunduaye mazuri yaliyomo katika kazi hiyo, hali kadhali mabaya (hatari) yaliyopo katika maandishi hayo kwa jamii husika .

Mhakiki ni bingwa wa kusoma na kuchambua vipengele vya fani na maudhui katika maandishi ya fashihi. Kwa mantiki hiyo mhakiki ni chombo madhubuti cha jamii inayohusika cha kuleta maendeleo katika jamii. Kwa kuzingatia haya anawajibika kuwa mwaminifu, mkweli, asiyeogopa kuweka wazi ubaya uliomo katika maandishi ya mwandishi asilia, na asiyependelea waandishi Fulani Fulani kwa sababu zisizona maslahi kwa jamii. Pamoja na hayo uhakiki wa kazi za fasihi unaambatana na mambo yafuatayo:

(a)Kuisoma kazi ya fasihi kwa makini na kuielewa

(b)Kuchambua vipengele vya fani na maudhui katika kazi hiyo

(c)        Kueleza ubora na udhaifu wa matumizi ya vipengele vya fani na maudhui katika kazi hiyo.

Kwa mujibu wa maelezo hayo ni wazikuwa mhakiki anabeba dhima zifuatazo:

1.Kuchambua na kuweka wazi funzolitolewalo na kazi ya fasihi.

2.         Kuchambua na kufafanua taswira (picha za kisanii) zilizotumika katika kazi ya mwandishi.

3.         Kumshauri na kumtia moyo mwandishi ili afanye kazi bora zaidi (hivyo mhakiki                pia ni mwalimu wa mwandishi)

4.         Kumwelekeza na kumchochea msomaji kusoma na kupata faida zaidi ya ambayo               angeipata pasipo dira ya mhakiki (mhakiki ni mwalimu na daraja kati ya                     mwandishi na jamii)

5.         Kuhimiza na kushirikisha fikra za kihakiki katika kazi za fasihi.

6.         Kukuza kiwango cha utunzi na usomaji wa kazi za fasihi.

7.         Kutafuta na kuweka sawa nadharia za fasihi teule.

8.         Kuthamini na kuheshimu kazi za waandishi kwa kuzitendea haki

VIGEZO VYA UHAKIKI

Kwa kuzingatia kwamba fasihi husawiri jamii katika mfumo mzima wa maisha ya jamiii hiyo mathalani shughuli zinazofanywa katika jamii husika, basi si budi kuzingatia yafuatayo katika kupima kazi ya fasihi:

(i)         Ukweli wa mambo yanayoelezwa – mhakiki kama hakimu na daraja atajiuliza, je,               ni kweli yaliyoelezwa katika kazi hiyo yanatendeka? Kama anahakiki habari             kuhusu ubakaji au rushwa – Anapaswa kujiuliza, Je ni kweli mambo hayo yapo                     katika jamii ya Tanzania?

(ii)        Uhalisia wa watu, mazingira na matukio katika jamii. Hapo mhakiki analinganisha wahusika wa  kazi husika na watu halisi ili kuona kama jamii zungumziwa ina watu wanaotenda kama wahusika waliotumika. Mfano habari inaeleza kuwa mganga wa kienyeji aliwapaka dawa watoto wakawaona wachawi,             mhakiki anaweza kujiuliza kama kweli hilo linaweza kutokea katika jamiii husika.

(iii)       Umuhimu wa kazi hiyo kwa jamii husika lazima uzingatiwe. Jambo linalozungumzwa linaweza kuwa la kweli na linalihalisika lakini lisiwe na umuhimu mkubwa katika jamii kiasi cha kuvuta utayari wa jamii hiyo.

vigezo hivi ndivyo vitumikavyo kupimia vipengele vya maudhui,(dhamira, ujumbe, migogoro, mafunzo na falsafa). Na vipengele vya fani, (muundo, mtindo, matumizi ya lugha, wahusika, na mandhari)

Kwa mfano;

Hadithi inayosifu maisha ya vijijini na kuwashauri vijana wasikimbilie mijini, lazima ipimwe kwa kuzingatia ukweli uliopo vijijini. Mhakiki atajiuliza maswali ya dhamira, mafunzo, migogoro, ujumbe na falsafa kama haya:- Je, ni kweli kuwa wanavijij wana maisha bora kuliko mjini? Je, wanavijiji wanahuduma za lazima kama hospitali zenye waganga na dawa? Je, wanavijiji wana maji salama kwa ajili yao, mifugo na mazao yao? Je, mazao ya wanavijiji yananunuliwa kwa fedha taslimu na mapema? Je, wanavijiji hawa bughudhiwi na wezi, waporaji n.k?

Hali kadhalika mhakikia atajiuliza  maswali kadhaa kuhusu kukimbilia mijii, kwa mfano; Je kijana anapokimbilia mjinii ana uhakika wa kupata kazi? Je, kazi kama kuuza machungwa au karanga mijini ni shughuli inayoweza kumkimu huyo kijana? Na Je, vijana wasio na kazi mijini hawalazimiki kuiba au kufanya uhalifu mwingine?

Hatimaye mhakiki atajiuliza maswali kuhusu ufumbuzi unaopendekezwa na mwandishi katika kazi yake, mfano tunaozungumzia mhakiki atajiuliza, je, mwandishi anashauri nini licha ya kusema vijana wabaki vijijini? Je, ni mambo gani anayopendekeza mwandishi kuhusu kuinua shughuli za kiuchumi vijijini? Je., suluhu la mwandishi (mapendekezo) linawezekana (ni yakinifu) au ni la kinjozi tu (la kidhanifu). Msingi wa maswali yote haya ni kujaribu kutambua ukweli, uhalisi na umuhimu wa kauli za mtunzi.

Katika uhakiki wa fani, vipengele vya fani huangaliwa jinsi vilivyotumika na kupima usahihi wake kimatumizi, na hapa maswali huweza kuwa hivi:

-Je, kazi husika ina muundo gani?

-Wahusika wamechorwaje?

-Je, wahusika wanahalisika katika jamii husika?

-Je,mpangilio wa maneno unavutia wahusika?

-Matumizi ya tamathali mbali mbali yanatosheleza haja?

-Misemo na methali zilizotumika zinafaaa hapo zilipotumika au zimepachikwa tu?

VIPENGELE VYA FANI NA MAUDHUI KATIKA KAZI ZA FASIHI ANDISHI:

Riwaya na tamthiliya:

A. Maudhui.

Maudhui katika kazi ya Fasihi ni jumla ya mawazo yote yanayozungumziwa pamoja na mtazamo wa mwandishi juu ya mawazo hayo. Maudhui hujumlisha mawazo, pamoja na mafunzo mbali mbali yaliyomsukuma msanii hadi kutunga kazi Fulani ya Fasihi.

Vipengele vya maudhui:

1.         Dhamira

Hili ni wazo kuu au mawazo mbali mbali yanayojitokeza katika kazi ya fasihi ambayo mwandishi huyajengea hoja. Dhamira hutokana na jamii na zipodhamira kuu na dhamira ndogo ndogo. Dhamira kuu ni zile za kisiasa, kiuchumi na kiutamaduni. Dhamira kuu ndicho kiini cha kazi ya fasihi na dhamira ndogondogo ni zile zinazoambatana na dhamira kuu.

2. Migogoro

Migogoro ni mivutano na misuguano mbali mbali ambayo huibuliwa na mwandishi katika kazi ya fasihi. Mgogoro kati ya wahusika ama vikundi vya wahusika, familia zao matabaka yao n.k. Migogoro hii mara nyingi hujikita katika mahusiano ya kijamii na ndipo tunapata migogoro ya :

(a)        kisiasa

(b)        kiuchumi

(c)        kiutamaduni

(d)       kinafsia (kifikra)

3.         Ujumbe na maadili

Ujumbe katika kazi ya fasihi ni mafunzo mbali mbali yapatikanayo baada ya kuisoma kazi ya fasihi. Ujumbe huwa sanjari na maadili mbali mbali ambayo mwandishi amekusudia jamii iyapate.

4.         Mtazamo

Ni hali ya kuyaona mambo katika maisha kwa kuzingatia mazingira             aliyonayo msanii mwenyewe. Wasanii wana mitizamo ya aina mbili:

(a)Mtazamo wa kiyakinifu – mtazamo huu ni ule wa kuyaangalia mambo    waziwazi na kuyaelezea kwa jamii kupitia kazi za kifasihi. Msanii anayeunga mkono mtazamo huu huutazama ulimwengu au mazingira yanayomzunguka binadamu kisayansi na hivyo huelezea mambo katika uhalisia wake.

(b)        Mtazamo wa kidhanifu – msanii mwenye mtazamo wa kidhanifu hujadili mambo na kuyatolea masuluhisho yaliyoegemea katika kudhani tu pasipokuzingatia uhalisia wa mambo. Huchukulia ulimwengu kama kitukinachobadilika kulingana na matakwa ya Mungu

5.         Falsafa:

Huu ni mwelekeo wa imani ya msanii. Msanii anaweza kuamini kuwa,        mwanamke si kiumbe duni kama wengine wanavyoamini au, kwa wale wapinga usawa, wanaweza kuwa na falsafa ya kumwona mwanamke kuwa kiumbe duni au chombo cha starehe.

Hivyo falsafa inatakiwa ichambuliwe kwa kuzingatia jinsi kazi hiyo ilivyoutazama ulimwengu na kuueleza ukweli juu ya mambo mbali mbali na ukweli huo lazima uhusishwe na binadamu.

6.         Msimamo:

Hii ni hali ya mwandishi kuamua kushikilia na kutetea jambo Fulani bila                 kujali kuwa jambo analolishikilia linakubalika au la.

Misimamo ya mwandishi huweza kuwekwa katika makundi (kategoria) matatu:

(a)Msimamo wa  kimapinduzi – mwandishi mwenye msimamo huu huyajadili masuala / matatizo yanayoihusus jamii yake na            kuonesha bayana – mbinu (njia) za kuondokana na matatizo hayo

(b)Msimamo usio wa kimapinduzi,  mwandishi mwenye msimamo huu huwa na asili ya woga inayomfanya kuyajadili mambo kwa kufichaficha na hivyo kushindwa kuleta athari chanya katika mapinduzi.kutokana na kutoonesha bayana masuluhisho ya matatizo aliyoyajadili.

7. Mtazamo

Ni jinsi msanii anavyoyatazama mambo katika ulimwengu wa kifasihi. Hapa tunapata mitazamo ya aina mbili.

(a)          Mtazamo wa kiyanifu ambao unaegemea katika kuyajadili mambo kiuhalisia, msanii mwenye mtazamo huu hujadili mambo kama yanavyojitokeza katika jamii. Kwa ujumla mtazamo huu hushadadiwa sana na wanasayansi ambao huhitaji kuthibitisha kila kitu kisayansi.

(b)          Mtazamo wa kidhanifu, huu una misingi yake katika kudhani kuwa Mungu ndiye suluhisho la kila kitu hivyo waandishi wenye mtazamo huu hujibainisha wazi kupitia kazi zao hasa kwa kujadili mambo kiujumlajumla mathalani “kuon a kuwa mapenzi bora ndiyo suluhisho la matatizo katika jamii” huu ni mtazamo wa kidhanifu.Wengi wa wanadini hufuata mtazamo huu.

B: Fani

Fani katika fasihi ni ule ufundi wa kisanaa anaoutumia msanii katika kufikisha ujumbe wake kwa jamii inayohusika.

VIPENGELE VYA FANI

1.         Muundo

Ni mgawanyo, mpangilio na mtiririko wa kazi hiyo kwa upande wa visa      na matukio. Ni jinsi msanii wa kazi ya fasihi alivyoifuma, kuiunda na kuunganisha tukio moja na lingine, sura moja na nyingine, ubeti na ubeti, na hata mstari wa ubeti na mwingine.

AINA ZA MIUNDO:

(a) Muundo wa moja kwa moja/msago

Huu ni muundo wa moja kwa moja ambao matukio huelezwa kwa kuanza  la mwanzo hadi la mwisho. Kwa mfano, mhusika huzaliwa, hukua, huchumbia au huchumbiwa, huoa au huolewa, huzaa watoto, huzeeka, hufa. Riwaya ya  “Kuli”imetumia muundo huu. Katika riwaya tunamwona Rashidi, akizaliwa, akiwa,           anaanza kazi, anaoa, anaanza harakati za kudai haki za makuli namwisho anafungwa.

(b)        Muundo wa kioo/rejea

Huu ni muundo unaotumia mbinu rejeshi ambayo huweza ama         kumrudisha nyuma msomaji wa kazi ya fasihi katika mpangilio wa matukio yake au kuipeleka mbele hadhira ya kazi hiyo. Riwaya ya “Zaka la Damu” imeutmia muundo huu.

(c)        Muundo wa rukia

Huu ni muundo ambao visa na matukio hurukiana. Katika muundo huu kunakuwa na visa viwili ambavyo hurukiana katika kusimuliwa kwake, na mwisho visa hivi huungana na kujenga kisa kimoja. Mfano Njama.

2.         Mtindo:

Mtindo katika kazi ya fasihi ni ile namna ambayo msanii huiwasilisha kazi yake kwa jamii. Ni upangaji wa fani na maudhui katika kazi ya fasihi kwa njia ambayo hudokeza upekee wa mwandishi.

Dhima ya mtindo

·         Humwezesha msomaji kujua hisia za mwandishi juu ya aliloliandika.

·         Hudokeza kiasi cha hisia na mwamko wa wahusika katika hadithi.

·         Kuonesha mtiririko (muwala) wa matukio.

·         Kuumba ulimwengu ambao utabeba maono ya msanii. Lengo ni kuepusha mifarakano inayoweza kujitokeza. Kwa mfano, katika riwaya ya “Kusadikika” ambayo imeumbiwa ulimwengu ulioko angani na nchi inayoelea.

Katika mtindo huangaliwa:

-Matumizi ya lugha

-Nafsi zilizotumiwa

-Matumizi ya monolojia (maelezo/ masimulizi) na dialojia (majibizano).

-Mbinu ya kutumia tanzu nyingine za fasihi simulizi

-Matumizi ya hadithi ndani ya hadithi

-Matumizi ya barua n.k.

Jambo la msingi katika mtindo ni lugha, na ndiyo inayotofautisha fasihi na sanaa nyingine kama vile uchoraji, uchongaji, usukaji, ufinyazi n.k. Msanii wa fasihi chombo chake (nyenzo) ni lugha.

3.         Wahusika:

Wahusika ni watu, vitu ama viumbe waliokusudiwa kubeba dhamira mbalimbali kwa lengo la kuwakilisha tabia za watu katika kazi ya fasihi.

Aina za Wahusika:

(a)        Wahusika Wakuu:

Hawa ni wale ambao wanajitokeza kila mara katika kazi za fasihi, hutokea tangu mwanzo hadi mwisho. Wahusika hawa hubeba kiini cha dhamira kuu na maana ya hadihti yote. Vituko, visa na matendo yote hujengwa         kuwahusu au kutokana nao. Mara nyingi jambo hili limewafanya wahusika wakuu wa kazi ya fasihi wawe “midomo” ya wasanii, na pia vipaza sauti vya watunzi wa kazi za fasihi. Wahusika wakuu hasa wameelezwa kwa  mapana na marefu juu ya maisha na tabia zao ili kuukamilisha unafsi wao.

(b)        Wahusika wadogo / wasaidizi

Hawa hujitokeza hapa na pale katika kazi ya fasihi ili kuukamilisha ulimwengu wa kazi hiyo. Hawa husaidia kuijenga dhamira fulani katika kazi ya fasihi na hasa hubeba dhamira ndogo na kwa minajili hiyo huitwa wahusika wadogo ingawa wakati Fulani husaidia kujenga na kuikamilisha dhamira kuu.

(c)        Wahusika wajenzi:

Hawa ni wahusika ambao wamewekwa ili kukamilisha dhamira na maudhui Fulani, kuwajenga na kuwakamilisha wahusika wakuu na wasaidizi. Wahusika wakuu na wadogo huweza kuwekwa katika aina tatu:

(i)         Wahusika Bapa;

Hawa ni wahusika ambao hawwabadiliki kitabia wala          kimawazo kulingana na mazingira au matukio ya wakati wanayokutana nayo. Wahusika bapa huweza kugawanywa kwenye makundi mawili:

Wahusika Bapa – sugu-

Hawa huwa sugu katika hali zote, kiasi kwamba hata tuwaonapo mahali pengine hali zao ni zile zile, wao ndio huhukumu hushauri na kuongoza tu na si vinginevyo wanakuwa kama madikteta. Mfano” Bwana Msa” katika riwaya ya “Mzimu wa watu wa kale” ya M.s. Abdulla.

Wahusika bapa – vielelezo –

Hawa pamoja na kutobadilika kwao, hupewa majina aghalabu ya kiishara ambayo – humfanya msomaji aelewe tabia na matendo yao. Mfano: “Waziri Majivuno”, “Adili”, Utubora” na “Karama” katika kazi za “Shaaban Robert” ni mfano wa wahusika bapa wala, kiasi ambacho anaondoa sehemu zote za sifa za wahusika huyo.

(ii)        Wahusika duara / mviringo

Hawa ni wahusika ambao hubadilika kitabia, kimawazo ama kisaikolojia. Maisha yao hutawaliwa na hali halisi yamaisha. Hivyo wanavutia zaidi kisanii, kwani husogeza hadithi ielekee kwenye hali ya kutendeka au kukubalika na jamii.Mfano, (Rose mistika) , Josina (pepo ya mabwege)

(iii)       Wahusika shida / foili

Hawa ni wahusika ambao huandamwa na shida, misukosuko na taabu na wahusika hawa hutokea kati ya wahusika bapa na duara. Wahusika shida huwategemea wahusika duara au bapa ili waweze kujengeka. Mfano: “Najum” katika riwaya y’’ Mzimu wa Watu wa Kale’’ na m.s Abdulla.

4.         Matumizi ya lugha

Lugha ndiyo njia (nyenzo) aitumiayo msanii wa fasihi kuyaelezea mambo mbali mbali yahusuyo jamii kwa njia ya ubunifu na usanii. Hivyo lugha ndiyo             mzizi wa kazi ya fasihi na bila yenyewe kuwapo haiwezekani kuwa na fasihi.

Vipengele vya lugha

(i)         Methali

Methali ni tungo fupi zenye hekima na busara ndani yake ambazo hutumika kama kiungo cha lugha kwa lengo la kufunzia na kupenyeza  hekima kwa jamii kupitia fashi.

Methali pia hutumika kujenga mandhari ya kiutamaduni ya kuaminika kuhusu jamii itumiayo methali hizo. Hivyo huweza kusemakuwa pale ambapo methali zimetumika katika kazi mbali mbali za fasihi, nyingi zimejenga fani na maudhui ya kazi hizo.

(ii)        Misemo na nahau

Matumizi ya misemo na nahau katika kazi za fasihi hushabihiana     sana na yale ya methali. Misemo na nahau hutumika kwa madhumuni anuai kama vile kutambulisha mazingira, na wakati husika wa kazi hiyo, lakini pia kupamba kazi ya fasihi pamoja na kuitajirisha lugha ya msanii katika Kazi yake.

(iii)       Tamathali za semi

Tamathali za usemi ni maneno ambayo hutumiwa na wasanii wa fasihi ili kutia msisitizo, nguvu na maana katika kazi zao, hali kadhalika kuboresha mtindo wa kazi zao. Wakati mwingine huwa na lengo la kupamba kazi ya fasihi na kuongeza utamu wa lugha. Kuna aina nyingi zatamathali za usemi kama ifuatavyo;

(a)Tamathali za mafumbo

Dhihaka (sarcasm)

Hii ni tamathali ya dharura na ina lengo la kumweka mtu katika hali duni kupita kiasi, lakini kwa mbinu ya mafumbo

Mfano:

“Adella alikuwa msichana msafi sana. Ndiyo maana kila, mara alipata kupaka mafuta yaliyonukia na kukaribisha  nzi  walioleta matatizo makubwa”.

Tafsida (Euphemism)

Hii hupunguza ukali wa maneno au utusi katika usemi

Mfano:

-Kujisaidia au kwenda haja badala ya kunya au kukojoa.

-Kuaga dunia badala ya kufa n.k

Kejeli / shitizai (Irony)

Hii imekusudiwa kuleta maana iliyo kinyume na ile iliyokusudiwa ama kinyume na ukweli ulivyo. Lengo lake ni kutaka kuzuia matatizo na migongano pindi itumikapo kwa lengo maalumu la kufundisha na kuasa.

Mfano:

-Mtu ni mchafu, lakini anaambiwa –sijamwona mtu msafi kama                   wewe.

-Mtu ni adui, lakini anambiwa – wewe ni rafiki mpenzi

-Mtu ni mweusi kama mkaa – anaitwa cheupe.

Kijembe / kiringo (Innuendo)

Huu ni usemi wa mzunguko, ni usemi wa kimafumbo wa kumsema mtu kwa ubaya.

(b)Tamathali za mliganisho

Sitiari (Metaphor)

Ni tamathali inayolinganisha matendo, vitu au tabia ya vitu vyenye maumbile tofauti bila kutumia viunganishi linganishi

Mfano:

-Maisha ni moshi

-Pesa ni maua

-Penzi upepo

-Misitu ni uhai

Tashibiha (simile)

Tamathali inayolinganisha vitu kwa kutumia maneno kama vile mfano wa, kama, mithili ya , sawa na , n.K

Mfano

-Ana sauti tamu sawa na ya chiriku

-Ana maringo kama twiga

-Ananyata mithili ya kinyonga

-Ana ng’ang’ania kama kupe.

Tashihisi (personification)

Tamathali hii huvipa vitu sifa walizonazo binadamu (hupewa uwezo walionao binadamu)

Mfano:

-Mvua iliponyesha misitu ilipiga makofi

-Mawimbi yalitabasamu  kwa upepo wa kusi.

Lakabu

Katika tamathali hii uhusiano wa maneno mawili kisarufi hugeuzwa na pengine huwekwa kinyume na taratibu za kisarufi zilivyo

Mfano:

-Baridi kali ilimkaribisha (lakini mtu ndiye mwenye uwezo wa kukaribisha)

-Giza liliwapokea walipokuwa wakiingia pangoni

(c)Tamathali za msisitizo na nyinginezo

Mubaalagha (Hyperbole)

Hii hutia chumvi kuhusu uwezo wa viumbe, tabia zao na hata sifa zao kwa madhumuni ya kuchekesha au kusisitiza

Mfano:

-Loo! Hebu muangalie mrembo yule! Ana mlima wa kiuno

-Tulimlilia Nyerere hadi kukawa na bahari ya machozi

-Mrembo yule hubeba kila aina ya silaha na huwatia wazimu wanaume wote anaokutana nao.

Taashira / metonumia (metonymy)

Katika tamathali hii jina la sehemu ya kitu kimoja au la kitu kidogo kinachohusiana na kingine kikubwa hutumiwa kuwakilisha kitu kamili.

Mfano:

-Jembe huwakilisha mkulima

-Kutabasamu huwakilisha furaha

-Mvi huwakilisha uzee

-Kalamu huwakilisha mwanafunzi / msomi.

Majazi

Hii ni aina ya sitiari ambayo itajapo sehemu tu ya kitu hapo hapo sehemu hiyo huashiria na kuwakilisha kitu hicho.

Mfano:

Roho – mtu

-Masikini, ajali ile ilipoteza roho tano hapo hapo]

Taniaba (Antonomasia)

Hii ni tamathali ambayo kwayo jina la mtu binafsi hutumiwa kwa watu wengine wenye tabia, mwenendo, hali au kazi sawa na ya mtu huyo.

Mfano:

-Yesu – mkombozi

-Yesu wa kwanza wa Afrika alikuwa Kwame Nkrumah

-Nyerere alikuwa Yesu wa kwanza Tanzania

Tabaini (antithesis)

Hii ni usemi unaosisitiza jambo kwa kutumia maneno ya ukinzani (unyume)

Mfano:

-Mwanadamu hupanga Mungu hupanga

-Amekuwa mrefu si mrefu, mfupi si mfupi ni wa kadiri

-Usimwamini mtu, yu acheka machoni, rohoni ana mabaya.

(d)Mbinu nyingine za kisanaa

Takriri (Tautology)

Hapa yanakuwepo marudio kwenye sentensi au kwenye usemi na lengo ni kusisitiza

Mfano:

-Dunia ni ngumu jamani, ni ngumu

-Haba na hapa hujaza kibaba

Mdokezo (Aposiopesis)

Hapa msemaji au mwandishi hukatiza maneno au huacha maneno bila kutaja kitu au maneno ambayo kwa  kawaida ni wazi na huweza kujazwa kwa ubunifu.

Mfano:

-Ally alipokuwa analia alisema………………

-Watu wengi huambukizwa ukimwi kwa kushiriki ………………

Tashtiti (Rhetorical Questions)

Ni mbinu ya kuuliza maswali kwa jambo ambalo majibu yake yanafahamika.

Mfano:

-Asha na uzuri wake amekufa?

-Loo! Asha ametutoka?

-Hatakuwa nasi tena?

Nidaa (!)

Huu ni msemo unaoonesha kushangazwa na jambo Fulani. Msemo huu huambatana na alama ya kushangaa

Mfano:

-Baba ndiye amefariki!

-Ah! Havijawa nimekutoroka!

-Hakika nitakupenda!

Mjalizo (Asyndeton)

Hapa huwa ni mfuatano tu wa maneno yasiyo na viunganishi vyovyote bali hutengwa kwa alama ya mkato(,)

Mfano:

-Nilikaa, nikasubiri, nikachoka

-Nilipanda, nikapalilia, nikavuna, nikauza, nikajenga nyumba.

Tanakali sauti (onomatopeia)

Ni mbinu ya kuiga sauti za milio mbali mbali. Milio hii ni ya wanyama, magari, vitu n.k

Mfano:

-Alitumbukia majini chubwi!

-Alidondoka chini pu!

(e)        Taswira

Ni picha zinazojitokeza ndani ya mawazo ya msomaji au msikilizaji wa kazi ya fasihi. Matumizi mazuri ya taswira na ishara hutegemea ufundi wa yanayomzunguka yeye na jamii yake pamoja na historia za maisha                        azijuazo.

Aina za Taswira

(i)Taswira za hisi

Taswira hupenyeza hisia na kuzigandisha akilini mwa msomaji au msikilizaji na kunasisha ujumbe wa mwandishi. Taswira hizi hushughulikia hisi za ndani, na kuweza kumfanya msomaji au msikilizaji awe na wasi wasi aone woga, apandwe na hasira, ahisi kinyaa, n.k

mfano:

Akadharau! Siwezi kula chakula kama hicho! Rojorojo nyororo kama limbwata, mfano wa kohozi lenye pumu,liingie katika koo langu lililozoea kuku wa mrija

-Maelezo hayo humfanya mtu akinahi na kutaka kutapika mara akisoma rojorojo, kunyororoka mfano wa kohozi lenye pumu.

(ii)taswira za mawazo / kufikirika

Hizi zinatokana na mawazo yahusuyo mambo yasiyoweza    kuthibitika. Mambo kama kifo, pendo, uchungu, fahamu, sahau, raha n.k

Mfano:

Kifo umefanya nini? Umeninyang’anya penzi langu bila huruma?    kumbuka, nilimpenda nikapoteza fahamu, kifo ukazidi kunidunga sindano ya makiwa?

(iii)       Taswira zionekanazo

Hizi ni picha ambazo hujengwa kwa kutumia vielelezo tunavyovijua vile vinavyofahamika katika maisha ya kila siku.

Mfano:

Dakika haikupita mijusi wawili wliokuwa wamebebana walipita haraka. Midomo yao ilikuwa myekundu. Ghafla walikutana nanyoka aliyeonekana mnene tumboni. Hapana shaka alikuwa amemeza mnyama.

5.Mandhari / mazingira

Ni sehemu ambamo kazi ya fasihi inafanyika. Mandhari yaweza kuwa ya kubuni kama” Kusadikika” na “Kufikirika” au halisi (ya kweli) mfano mandhari ya Dar es salaam, Arusha n.k. kwa Tanzania.

6   Jina lakitabu / Jalada la kitabu

Hapo  tunaoanisha jina la kitabu na yaliyoelezwa ndani ya kitabu hicho.      Mfano”Kiu ya Haki”, jina hili linasadifu vipi yaliyomo ndani ya riwaya hiyo. Je, kweli yaliyoelezewa yanadhihirisha kiu ya haki? Pia tunaangalia picha mbali             mbali zilizochorwa juu ya jalada la kitabu na kutafsiri kifasihi jinsi picha hizo zilivyotumika.

7.Kufaulu na kutofaulu kwa mwandishi kifani na kimaudhui

Hapa tunaangalia ubora na udhaifu wa mwandishi kifani na kimaudhui katika kazi husika. Hapa vipengele vya fani na maudhui huzingatiwa kwa kina ili kuweza kupima umadhubuti wa kazi hiyo na hatimaye kuamua kwa haki kama mwandishi amefaulu au hajafaulu.

MAMBO 5 YA KUZINGATIA KATIKA MAISHA

Utangulizi

Maisha ni muda ambao kiumbe hai anajaliwa kuishi. Ni hali tofauti kabisa na uzima wa milele , kwa kuwa uhai wake una mwanzo na mwisho.
Hasa mwisho unasababisha maswali: kama kila chenye mwanzo kina mwisho, ya nini kuwepo kwake? Kukosa lengo, kuwepo bure, kutokuwa na maana kunamfanya mtu ajisikie mnyonge, pengine akate tamaa ya kuishi, la sivyo ajitose kufurahia mazuri yanayopatikana maishani, lakini bila uwezo wa kuondoa moyoni ule utupu wa maana unaomtia huzuni ya dhati.
Ndiyo sababu maana ya maisha ni mojawapo kati ya masuala makuu ya binadamu duniani: hawezi kukwepa maswali ya kutoka moyoni mwake kuhusu thamani, madhumuni na umuhimu wa maisha yake.

Mambo 5 ya kuzingatia katika maisha:

1.HOFU YA MUNGU;
Hofu ya Mungu : Hii ni ile nguvu ya Mungu ndani ya mtu inayomfanya asitende dhambi (MWANZO 20:11), Neno hilo linatuonesha kisa cha Ibrahimu baada ya kuona kwamba Wagerari hawana hofu ya Mungu ndani yao na watamuua wakijua Sara ni mkewe kwa alivyokua mzuri, aliamua kuwaambia kwamba ni Dada yake. Ibrahimu aliamua kufanya hivyo kulinda uhai wake. Simaanishi kwamba alikuwa sahihi kusema uongo, lakini nilitaka tuone kwamba hofu ya Mungu ikoje.
Ni ukweli usiopingika kwamba, hakuna mwanadamu anayeweza kuishi maisha matakatifu kama hakuna hofu ya Mungu ndani yake ; hofu ya Mungu huletwa na uwepo wa Roho Mtakatifu ndani ya mtu. Ukiona wewe bado unafanya dhambi na huoni moyo wako ukikuhukumu, basi we jua bado unamwitaji Mungu sana. Ingawa wako ambao wakitaka kufanya dhambi wanahisi kuhukumiwa ndani yao ila wanajikaza kutenda dhambi kwa lazima. Ukiona uko hivyo, bado hofu ya Mungu haimo ndani yako.
Mara nyingi mwanadamu anapotaka kufanya dhambi, huwa anatafuta sehemu iliyojificha ili kwamba Mchungaji wake, wazazi, ndugu, jamaa na marafiki wasiweze kumwona.

2.MUDA;
Muda ni kipindi ambacho mtu aidha alifanya, anafanya au anatarajia kufanya jambo fulani. Katika maisha ya kila siku mwanadamu hutegemea sana muda ili kufanikisha malengo yake.

3.MAAMUZI;
Kwanza kabisa maamuzi ni neno kubwa sana na lenye maana nzito kuliko tunayoitumia kila siku. Unaposema umefanya maamuzi maana yake ni umeondoa uwezekano mwingine wowote wa wewe kufanya jambo tofauti na ulilolifanyia maamuzi. Maana halisi ya maamuzi ni kwamba umechagua kitu kiwe hivyo tu, au umeamua kufanya kitu ulichokiwekea maamuzi na sio kitu kingine hasa kinachopingana na hicho.
Lakini katika maisha yetu ya kila siku tunafanya maamuzi na muda mfupi baadae unavunja maamuzi uliyofanya mwenyewe.
Unasema kuanzia sasa nitajisomea na kujifunza kila siku ili kuweza kupata maarifa yatakayoniwezesha kufikia mafanikio makubwa zaidi. Lakini baada ya muda unaanza kuona kujifunza ni jambo la kawaida na kutokufanya tena kila siku. Hapa ndio unaanza kurudi nyuma, na usiposhtuka mapema utapotea vibaya mno.
Kati ya vitu ambavyo ni lazima ufanyie maamuzi katika maisha yako ni kuamua kuwa hautakubali kushindwa katika maisha yako.

4.MARAFIKI;
Marafiki zako wana nguvu ya kukufanya ufanikiwe ama kukufanya ushindwe kufanikiwa.Kuna watu wengi sana ambao wameshindwa kabisa kufikia katika kilele cha hatima zao kwa sababu tu wameendekeza kuwa na marafiki ambao wamekuwa kikwazo kwa maisha yao.Ila kuna wengine wameshindwa kabisa kufikia kilele cha mafanikio yao kwa kushindwa kutumia vizuri marafiki walionao.Siku zote kumbuka kuwa kila rafiki uliye naye lazima anakuathiri kwa namna fulani-Inawezekana akakuathiri kwa uzuri(Positive) ama akakuathiri kwa ubaya(Negative).Kwa sababu hii,ni lazima kila wakati uwe mtu ambaye unatathmini kuhusu maisha yako na wale wanaokuzunguka na jinsi wanavyochangia kukufanikisha ama kukukwamisha.

5.MALENGO;
Kuwa na malengo ni moja ya chachu kubwa ya mafanikio katika jambo lolote unalofanya kwenye maisha. Malengo yanakupa dira maishani mwako na kukuelekeza usiende mrama kwa kukosa mwelekeo. Malengo yanaweza kuwa vitu vidogo tunavyotaka kubadili leo, pia yanaweza kuwa mambo makubwa tunayotaka kuyafanikisha siku zijazo, iwe baada ya mwezi, mwaka, au hata baada ya miaka mitano! Unaweza ukawa na malengo ya aina mbalimbali; ya kiafya, kikazi, kimasomo, kiuhusiano au kibiashara; jambo la muhimu ni wewe kuwa na malengo.
“Funga macho, vuta picha ya magari mawili yanatembea. Dereva mmoja anajua kuwa anatoka kijiji A na kwenda kijiji B, halafu dereva wa pili wala hajui anakokwenda. Kati ya madereva hao wawili, yupi atafika anakokwenda? Bila shaka jibu litakuwa ni dereva A. Kinachowatofautisha ni malengo, dereva wa gari la kwanza anajua kuwa lengo lake ni kufika kijiji B, hapo atatafuta hata njia ya mkato afike, hata kama hajui njia anaweza akauliza watu akaelekezwa. Dereva wa pili hata kama kuna barabara mbele yake anaweza akafika anakotakiwa kwenda, akapapita au akageuza maana hajui anakokwenda”.

HITIMISHO:
Katika maisha ya mwanadamu kuna mambo mengi tunakutana nayo na mengine ni matokeo ya maisha tunayoishi leo hii.
Kuna mambo kama elimu,umri,mapato,matumizi,mahusiano,tabia na n.k yote haya yana athari chanya na hasi katika maisha ya mwanadamu.Ingawa ukiangalia kwa undani utabaini kuwa mambo tuliyotaja yanagusa nyanja zote hizo na kama yakizingatiwa yatamuwezesha binadamu kuyatawala maisha yake.

VIAMBISHI TAMATI MAANA VYA KISWAHILI

Viambishi tamati– Hivi hudokeza kauli mbalimbali za vitenzi. Mfano: - Anacheza – kutenda Unachezwa- Kutendwa Utachezewa- Kutendewa Nimemlia- Kutendea Wamewasomesha- Kutendesha n.k
Mzizi Kiambishi Kiambishi tamati maana Neno jipya Kauli Viambishi vya kauli Chez a Cheza Kutenda -a e a Chezea kutendea -e- / -i- Pig ian a Pigiana Kutendeana -ian-/-ean- iw a Pigiwa Kutendewa -iw-/ew- Som esh a Somesha Kutendesha -ish-/esh- eshw a Someshwa Kutendeshwa -ishw-/eshw- Lim ik a Limika Kutendeka -ik-/-ek- an a Limana Kutendana -an- w a Limwa Kutendwa -w-
Viambishi tamati katika vitenzi vya Kiswahili.
Viambishi tamati katika lugha ya Kiswahili hujitokeza kudokeza dhima kubwa mbili:- I. Viambishi tamati vya kauli II. Viambishi tamati maana
Kiambishi tamati maana – Hii ni mofimu ya mwisho kabisa katika kitenzi yenye dhima ya kukamilisha maana kusudiwa na msemaji wa tungo hiyo. Mfano:- Pig-a, Chez-w-a, Som-esh-a n.k. Mofimu hizi hujitokieza mbele ya viambishi vya kauli au mbele ya mzizi wa neno lenyewe.
Aina za viambishi tamati maana. Viambishi tamati maana vinajitokeza katika aina tofauti mbili ambazo ni; Viasili na Vijenzi.
1. Viambishi tamati maana viasili Hivi ni vile vinavyojitokeza katika shina asilia la kitenzi husika. Viambishi hivi vipo katika makundi mawili:- a) Vyenye asili katika lugha Kiswahili, hivi huwa ni mofimu (-a) Mfano; Pig-a, Chez-a, Omb-a n.k b) Vyenye asili katika lugha za Kigeni, hivi huwa ni mofimu (-i), na (-u) Mfano; Sal-i, Shukur-u n.k.
2. Viambishi tamati maana vijenzi Hivi ni vile ambavyo hujitokeza katika vitenzi vilivyonyambulishwa. Viambishi hivi hujitokeza kukamilisha dhima zifuatazo:- a) Viambishi tamati maana vikanushi, hivi hukamilisha maana iliyokusudia kuonesha ukanushi wa tendo, huwa ni mofimu (-i) Mfano; Sichez-i, Huimb-i, Hawasom-i, Silal-i N.k b) Viambishi tamati maana Vielekezi, hivi hukamilisha maana iliyokusudia kuelekeza jambo, kitenzi hicho huwa na mofimu ya masharti Ka- na mofimu elekezi huwa ni mofimu (-e) Mfano; Kachez-e, Kasom-e, Kalim-e, Kaog-e N.k c) Viambishi tamati maana Vinominishi, hivi ni vile vinavyobadili kitenzi kuwa nomino, huwa ni mofimu (-aji), (-zi), (-shi), (-o) Mfano; Mchez-aji, Mwi-zi, Mche-shi, Pig-o N.k